Showing posts with label Doctor Who Series 8. Show all posts

Doctor Who
A Few Thoughts About Last Christmas
Series 8, Episode 13 Review

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All of time and all of space is sitting out there.
A big, blue box. Please, don't even argue.
—The Doctor to Clara

There is so much I would like to say about this episode, but there just isn't time. Time...something only the Doctor can manipulate and not even he has enough of it. I spent whatever few spare minutes I had most days between November 8, the day the finale aired, until December 24, the day before this Christmas special, writing about Death in Heaven. I've done this before with other shows, and it's always a silly endeavor to try finishing something that takes so long. Everyone's always onto the next thing by then. But, still, if I ever have a chance to write more about this spectacularly joyful and profoundly emotional episode, and series, then I may, but I am so tired. Christmas has worn me out; not just the day itself, but the entire run up to it. I didn't have much time for anything or I would have had the "Death in Heaven" post done mere days after it aired.

I'm all by myself running this site (obviously) and I have two day jobs now, plus a number of side jobs that don't qualify as jobs but take just as much time, and just being part of a family is a big obligation. So instead of a summary, recap, or review that will take me well into next month, I'll leave you with a few thoughts, quotes, and my favorite t-shirts since that's the main reason you're here. I wish I could make my own. I'm sure someone will come up with a Doctor Who/Inception  tee based on this episode that's nearly a copy of the one in my head before I even get the chance to start drawing it. It's happened before. Anyway...

As always, I had a wonderful time with the show making me laugh and then doing a kind of wrenching, twisty thing with my emotions.

This episode started where we left off, with Saint Nick. Nick Frost was the perfect choice. Best Santa ever. I expected nothing less of one of my favorite funny men. And he got to say that Santa's sleigh was bigger on the inside. I'm still smiling at that one and about committing "several million housebreaks in one night."

After introducing Santa to Clara and the Doctor interrupting to mysteriously whisk her off to the North Pole, then it got super creepy with the Sleepers. "Who were they? What happened to them? Wait, they wake up if you think about them? Yikes!" That was kind of my internal monologue. It was also funny, because that girl went all out dancing past them.

"Do you know why people get together at Christmas? Because every time they do, it might be the last time." Something I thought of a few times over the years after my older relatives started passing away. I never heard it put into words until dreamland Danny Pink said this on that night I might have seen one of my family members for the last time. You never know. It's always hard to think about. Thanks a lot, Samuel Anderson. Good thing we're all lucky enough to see each other at least a few times a year.

More Danny! It was lovely to see him again. I knew this is how it would have to go after the way they left it in "Death in Heaven." Well, not exactly. I figured we would never see him alive again. But this was the last of Danny and he was just a dream, a memory Clara has been holding onto.

"There's a horror movie called Alien? That's really offensive. No wonder everyone keeps invading you." One of a number of hilarious lines, like most episodes. The Doctor needs to stop running for a while, sit down, and treat himself to a movie.

I loved how the Doctor said something about Danny that was offensive to Clara and she slapped him and told him Danny was dead. They got nearly right to the point even when they didn't have a moment to breathe. That's how I pictured it going, but I didn't think it would. Most series drag that kind of thing out and pile misunderstandings and lies on top of each other. I have to stop forgetting that Doctor Who doesn't always do the expected. That's one of the wonderful things about it. Clara admitted she lied so the Doctor could feel free to go home, and the Doctor admitted he lied about finding Gallifrey so Clara could have a life with Danny. It was refreshing that they told each other the truth. But it seemed that it wasn't only wanting each other to be happy, but to save themselves from looking so vulnerable at that moment. They were both so raw, the Doctor is uncomfortable with emotion, and who wants to break down in a restaurant in front of strangers? ;)

Oh, and when the Doctor took the reins of the dream sleigh and pure joy came across his face? Capaldi was brilliant again, as he has ably demonstrated so many times. It was wonderful to see that carefree, childlike side again. It's been a while. The Doctor has been so affected by his new personality that his self-loathing and regret has brought out a bitterness and callousness. While I love the difficulties of loving him, it was beautiful to see his guard drop. It was simultaneously a funny and sweet moment that could easily have been a silly throw-away. Instead it encapsulated the spirit of a man who stole a box to see the universe.

Clara as an old woman. "Oh no, not this way!" I screamed in my head, but all I could do while watching with family was allow my eyes to water as I stared straight at the TV, making sure no one saw my face. I was certain this season that Clara would be leaving because she was in love. Then she decided to stay. I was then certain her end would come soon at the hands of some despicable character or by saving the world. Then Danny died and that was devastating, yet he saved the world. So I thought Clara would blame the Doctor for not being able to bring Danny back and let that be her reason for leaving him. It turned out that she didn't lash out in that way and left because she thought the Doctor had a chance at a normal life, and he thought the same of her. They lied to protect each other.

But we saw at the end of the episode that they would be together again for "Last Christmas," at the end of which I was fooled once again. It looked like the Doctor had missed decades of Clara's life. I was sure that wasn't a dream then and that was how we would be saying goodbye to Clara, from a vibrant young woman moments before to a lonely old woman who had spent her life holding onto the memory of her truest friend, hoping one day he would return, and with a ghost in her heart of the man she would have spent her life with, who had a chance to return and gave it to someone else.

It was an overwhelming moment for me when the Doctor, averse to touching, put his hand on Clara's withered and weak one to help her open a Christmas cracker. Oh, the time he missed. I would have let the tears flow had I been watching alone, as with so many other episodes, especially this season.

The Doctor's face when he's asking Clara to travel with him again. He's so nervous that she'll say no. This is a man who needs some happiness, who needs that second chance that he offers others. It's so uplifting that he got it in the end...that they both did. Because Clara and the Doctor need each other. If that was the series finale, it would have been a perfect ending.

Touching moments are touching -- Any time we can get this Doctor some human contact is a great thing. Adventuring together and almost dying constantly should involve a lot of mandatory hugs, because you never know when the last time will be. Even though it's a way to hide your face and the feelings that show on it, hugging is better than "I love you" or telling someone, sometimes falsely, that everything will be alright. I love how he held her hand when she was attacked by the dream crab. Then he put himself in grave danger (though he was already unknowingly in a dream himself) by doing the same to try to get her out, though he knew they would be dissolving his brain if he did. He submitted to her blitz hug from behind while in the sleigh after a bit of protest. Then put his hand on hers again, without hesitation, when she was an old woman. When they finally woke up, he hopefully asked her to come with him again and took her hand, leaving behind her house...and a tangerine that reminded me of the spinning top from Inception that gave a little wobble, which made me wonder for a second if they were still dreaming or if Santa was real or if it was just a little nod to the imaginary savior of the day. They had to have woken up. They couldn't just leave a Christmas episode on such a note.

The Doctor and Clara are just so wonderful together. She is every bit his match and a companion not to underestimate. Their relationship has gone through so much and there is a lot of love between them.

I wrote some fan fic in my head as I sometimes do between episodes when I'm falling asleep. I'll never actually publish anything, because I don't have that kind of time or the talent that would require. Then no one would read them...and I wouldn't want them to either, so there's no point. Also, I'm not a writer, but for anyone interested, I like this tiny snippet.

Now I'll leave you with a couple of t-shirts that I've been wanting. I wanted to post Drew Wise's 51 Timey Wimey Years, which I have and wore on Christmas day, but it was apparently just a very limited run. There were no new Who shirts yesterday or today at TeeFury or RiptApparel, and I have no idea if there will be any tomorrow or any time this week because they neglected to email me upcoming shirts. I'm not waiting. I always wait too long or take too long. So after scouring my favorite stores for the best of Doctor Who, here are Regenerations by zerobriant, which stacks the silhouetted bust of every Doctor inside the next, and Listen by saqman in the style of Tim Burton, which I don't always appreciate, but I certainly do in this instance. It is also available at RedBubble. I would love to be able to post a "Last Christmas" shirt, but any one with the 12th Doctor will do, especially if it portrays a terrifically creepy scene from one of my favorite episodes and gives the Doctor that hilarious, angry expression.

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When I couldn't remember quite how a line went and I didn't have time to search the episode, I checked ThreeIfBySpace.net, which has a wonderful series listing Doctor Who quotes.

[Screenshot]  Via Screencapped.net, copyright of the BBC.

Doctor Who
Dark Water and Death in Heaven ~ Three Hearts, Two Souls, One TARDIS
Series 8, Episodes 11 and 12 Review

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It has been more than six weeks since the finale of the eighth season of new era Doctor Who, and all that time I struggled to finish these words. Because it was just so beautiful. Because it was just so brutal. Because it was just so brilliant. And because life's obligations and problems took priority. I wish they hadn't for just a moment. The best episodes of television stick with me forever, and Doctor Who has done it again. There were so many precious gems of episodes, moments, words, actions, and expressions. None were more stellar than "Dark Water" and "Death in Heaven" (and the earlier "Listen"). The unforgettable two-part finale tied everything together and put the characters through the wringer, so I felt I had to talk about some things that really stuck with me. This is not spoiler-free.

PETER CAPALDI IS BETTER THAN I COULD HAVE IMAGINED

There is so much to say, and much I'll likely leave out, but at least I know where to start: with Peter Capaldi, another genius choice for the title role. Before this season, everything I knew about him didn't add up to much. I'd seen the Doctor Who episode "Fires of Pompeii," a teensy bit of the hilariously insult-driven The Thick of It --which is on Hulu Plus (yay!) and now I've almost finished -- its spin-off movie In the Loop, and World War Z where he coincidentally played a World Health Organization doctor. That's about it. Now that I think about it, I guess he had an advantage over other Doctors, because I had at least seen him before. I enjoyed the rare occasion he popped up in my life, but I didn't think about him often. I didn't even realize he was in a season of Torchwood until more recently. I had been waiting a long time for my family to watch that series with me. Then they started and finished it this past summer while I was too busy with work. *insert large amounts of protesting in the form of grumbling here*

Only with this season of Doctor Who was I finally properly introduced to Capaldi and any slight apprehension about him was quickly dispelled. You think that the series cannot continue to be so lucky with the talent of their performers, and we get so attached to them that it's hard to anticipate that the next can be on equal footing. But when empathizing with a dinosaur in the first episode, he became someone for me to keep an eye on. While telling a young boy that fear is a superpower, he became one of my favorite people. In a graveyard in the finale, he made me cry and awe at how he can deliver lines with such honesty. Being a good person helps tremendously with that. In all the interviews I've read and seen since it seems Capaldi is a sweetheart, especially when he interacts with children. Heart is something that's hard to convincingly fake, vital to a performance, and Capaldi seamlessly transplants his into the Doctor without skipping a beat. There's nothing false about him.

Though Capaldi is older than the recent Doctors, all of whom were fantastic, he has infused new blood into the series that is just as energetic and gung-ho as anyone. Yet this Doctor is also aloof and afraid of his vulnerability. He can be harsh and short tempered with our entire race of primitive humans, unlikeable at times, and that makes those precious warm moments all the sweeter. He definitely has an identity and personality all his own. He's dark and off the wall, hilarious and strange, and he still deeply cares about the people he tries to help and the pain he inflicts, which was obvious before he put it into words at the end of the season. Simply put, Capaldi has been astonishing. He's the Doctor through and through, and if you don't see that then give him more time. Give the season a rewatch, this time paying attention to the the feeling behind the words, the subtle expressions in the hauntingly broken moments, and it should be clear that he is doing a service to this series. If this were his only season, he wouldn't soon be forgotten, especially not after that two-part finale.

A HUGE HELPING OF HEARTBREAK

After so long without a new season and so few chances in the last few years to rewatch old episodes, it kind of got pushed to the back of my mind that I could be in for a roller coaster ride. I knew there would be emotion piled on moving words, and meaningful actions in between the heaps of pure fun and silliness, but I didn't expect a main character would be hit so hard so soon after the new Doctor checked in. The show completely misled me and I love that. The best shows have a tendency to go in unexpected directions. It looked as though Clara's connection to Danny, a connection that brought her to the last days of the universe, and the Doctor's new, pricklier personality would be what numbered her days on the TARDIS. And that felt right; it seemed time for a companion to get out before things turned tragic. Of course, life with the Doctor is too enticing, too adrenaline-fueled to just give up. Clara chose to continue, thinking she could squeeze a normal life in there somewhere. But it wasn't just the excitement she couldn't quit easily. There was also the matter of their friendship, which they both acknowledged to others in the finale.

Kate: Clara Oswald, your assistant?
The Doctor: My friend.
Clara: I'm not his associate. I'm his best friend. Right now, his best friend, anywhere in the universe. I would never, ever give up the Doctor, because he is my best friend, too.

Clara unwittingly admitting to Danny that the Doctor was her best friend and the one person she would never lie to was the icing on the most depressing cake. When Clara decided to stay earlier in the season, I became nervous for her, knowing she wasn't going to go willingly, and it was more likely that her end would be tragic. What I didn't imagine was the writers would make Danny the trigger, giving him a sudden, ordinary end before the first scene of "Dark Water" was over. At the start I was happy Clara was telling Danny that she loved him...over the phone because she couldn't wait. But it was silence on the other end. Speechless, I assumed. One of my family jokingly said that he must have been hit by a car. I laughed because I was about to say the same. Then I stopped laughing.

Even though it popped into my head, I never saw the end coming for that character. Doctor Who is one of these precious television gems of unpredictability that takes an emotional toll with talented actors who find the familiar in unfamiliar situations. It was no surprise then that the acting in "Death in Heaven," specifically in the graveyard, was exceptional. The Doctor and Clara, often exchanging witty banter in the worst of times, were stopped in their tracks, unable to do anything. The Doctor without a trace of disdain when he called Danny "P.E." for one of the last times. His voice shaking when he found out he had to turn off Danny's emotions. Clara devastated and saying goodbye.

LOVE UNTIL THE END OF TIME

I have seen comments about their relationship being unrealistically rushed and, therefore, emotionally ineffective. I don't know how long they were together, but the nature of storytelling allows for months and years to go by in a blink. We were even given glimpses of that span of time in a montage earlier in the season that showed Clara was being run ragged by her double life. However long they were together, Danny and Clara were obviously good for each other. They were connected through eons. How can that not choke you up even if they didn't have as much screen time as some might have wanted? It wasn't poorly written. It was a romance narratively abbreviated by the array of events needed to set up for the big payoff/showdown/lesson/loss in the end. And boy what a massive payoff it was, another distinctly Doctor Who tragic moment. The way loss was handled in the last two episodes was terribly true to life.

Danny's death was something Clara and the Doctor won't just get over. Clara is likely pregnant with his child, as she was drawn to the end of the universe by a familial bond. This death will be with the Doctor and his following incarnations, because it was a huge turning point in the life of a close friend, and it was a moment where he felt completely powerless, and it was a moment that a promise saved the world. If you didn't like Danny, think about him like you would someone you love. I got to know him well enough to care when he was gone. I've lost people and I put myself in Clara's place so easily that I felt emotionally drained. It's not just about the man who lost his life and then sacrificed his second chance. It's about the woman who loved him, who lied to him about travelling with the Doctor. It's about the Doctor, who never respected him until he was gone. It's about the graves of the world giving birth. It's about the most devastating, harrowing episode of the season, as effecting an hour of television as it gets.

And so I have to say something when I see people attempt to tear apart and dismiss deeply affecting and perfectly acted episodes such as these. I prefer not to soil their memory by getting bogged down in negativity, but once in a while people say things that burrow too far under my skin, like criticism of Capaldi. I loved every minute with the new Doctor this season and seeing how his relationship with Clara would develop. He was certainly challenging, but it was terrific fun seeing once again how the new guy interpreted the role. I find Capaldi brilliant, born to play the role, but some didn't warm to his characterization. Maybe they just aren't willing to let go of Matt Smith, are still wishing David Tennant never left, are lamenting the early departure of Christopher Eccleston. I loved them, too, but it's healthier to move on. And if they're still pining for the 80's and earlier then they may need help. At its very core, one of the life lessons of this show is about change.

"I'VE NEVER MET ANYONE WHO WASN'T IMPORTANT."

The finale couldn't have brought a bigger change. But there are those who were unimpressed, thinking Danny was not a good enough reason for Clara to hurt the Doctor and not important enough for the Doctor to even attempt to go to the afterlife, something he hadn't done before for anyone he loved, let alone someone he loved to belittle. That's just ridiculous. Do people have such short memories? Do they really not know by now the measure of the Doctor? Remember back to Matt Smith's time and his never having met anyone who wasn't important. Clara loved Danny. That was reason enough. The Doctor does the impossible all the time for people he just met and he even offers second chances to those who have done or are about to do a terrible wrong. These were two people in love, one a truest friend. The Doctor couldn't watch Clara in agony and do nothing. She is important to him. She's his impossible girl.

Also, Clara's connection with Danny was key, a connection that was necessary for the story to have as big of an impact as it did. The TARDIS needed a waypoint in the afterlife, an uncharted place from which no one has returned, so he could never have gone there for anyone else. It's a simple and reasonable explanation the writers came up with for the Doctor never attempting anything like it in the past. You can't change old episodes, but does that mean the Doctor should not go to more extraordinary lengths than he has before just because of the person he's doing it for? No. That's silly. The Doctor learns, grows, changes, and every situation is a different set of circumstances, possibilites, and outcomes. The outcome would have been far different. The moment the Doctor decided to go to Hell for Clara provided the most important line of this season...

Do you think I care for you so little that betraying me would make a difference?

That beautiful line shows how much he cares. If he didn't try to help a distraught friend, even though she hurt him, then it would be a big glaring fault in the series. It would show that this new Doctor will quit on people and it would prove to Clara that her first instincts were right. The whole season was about her struggling to trust this new man who took the place of her best friend. Until that moment, because the Doctor was so different, Clara had no real idea how much of him was still in there, no idea that, like the TARDIS, his hearts are bigger on the inside. He has an enormous capacity for love, loyalty, and forgiveness.

THE DOCTOR'S COMPASSION

And he must have felt somewhat guilty that he made her feel she couldn't trust him. Clara, after all, wasn't the one who changed from head to toe, but she was the one who was expected to just deal with this strange situation. There were times throughout the season where doubt about the Doctor crept in for a minute, and then he would save the day again and put those fears to rest. She had to come to grips with it all, but finally accepted the Doctor's new face and new personality. Not long after that, the man she loved was suddenly gone and all her uncertainty came rushing back. Clara thought she had no choice other than to force the Doctor to help her, the one man in the universe who she knew could. Yes, it was selfish. She was broken. She's only human. Betrayal is hard to come back from, but the wound Clara inflicted was not nearly as painful to the Doctor as the wound she was carrying. He saw a friend desperate for help. This Doctor is often impatient and superior, and he's certainly not warm most of the time--all reasons Danny didn't trust him. But that moment in "Dark Water" bared the Doctor's soul and should have wiped away any viewer's lingering doubts about him or the direction of the series this year.

It would have done good for Danny to have witnessed that moment. Danny may have come around if he had more time, but he only knew the woman he loved was in love with following a madman into danger. He didn't get to see the toll it takes on the Doctor, to see that he can't stand by while tragedies happen. It's a tragedy that the Doctor showed to Danny the part of himself that cares so much only at the end. It hurt when the Doctor called Danny "P.E." finally not as mockery but with sadness in his voice, and so did his speech...

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Pain is a gift. Without the capacity for pain, we can’t feel the hurt we inflict.

 

Followed by Danny's response...

If you want to know what’s coming, you have to switch it on. And didn’t all of those beautiful speeches just disappear in the face of a tactical advantage, sir?

Danny thought he had the Doctor there, that this would confirm how he felt about him. The Doctor was trying to keep Clara alive, trying to get Danny to see that his pain was important and he couldn't just shut it off. Then an advantage was presented that may have been the only way to save billions. That was not something that could be dismissed so easily. The Doctor did use it, but it was overwhelming for him. Danny was partially right about the Doctor in action, but people follow him because he's a whirlwind of life, adventure, enthusiasm, and compassion. He's not always right. He does lose. And he feels every loss. That's what Danny didn't know. He thought it was a simple choice for the Doctor. But it wasn't and we know that.

A DEEPLY AFFECTING SERIES

Another thing it wasn't is melodrama, which was another insult hurled at "Death in Heaven" in particular. I have a gigantic bone to pick with that. It was in no way unbelievably or laughably over the top. The graveyard scene was far from that. Losing someone you love should hurt so deeply that you lose yourself and abandon hope. The pain was spot on. Someone Clara loved was ripped way from her. I know how it feels. I have been wracked with sobs, screaming, barely able to catch my breath. It was a release of agony that I had no control over. There wasn't one thing that was off about anyone's performance in the graveyard, and those who think otherwise do not have the experience yet. These three spectacular performers poured undoubtedly real heartache into a defining moment, one of the best I've seen in any series, that hits close to home for just about anyone who has dealt with loss.

A conversation with the dead is a chance no one gets yet everyone yearns for. That's why it's so effective at making you reach for the tissue box. Someone brought up the tired time travel concern that such a device has less impact and emotion because the dead don't have to stay dead. Where is this rule written? Even if someone returns, there will be a consequence and you'll always fear for them. That can be just as powerful, especially when you lose them again. Rose watching her father die comes to mind. Why anyone is disputing emotional impact with a show well-established in having some of the most powerful episodes on TV makes little sense. Sounds like someone who doesn't have much respect for science fiction, which has a unique position exploring the extraordinary while cutting right to the core of humanity. With exceptional writers and actors you get stories that can be as gut-wrenching as anything even in the face of dinosaurs in London or on a spaceship. I can't imagine anything worse than losing a loved one permanently in a world where once in a while it's possible for the impossible to happen. Speaking of exceptional writers...

PRAISING ACTORS WHILE BERATING WRITERS

I came across a couple reviews that I vehemently disagree with while looking for quotes, because I didn't have time to rewatch the episodes yet. One of them had a redeeming quality in that it praised Capaldi...but at the expense of Moffat, as if they can be competely independent rather than parts of the whole. I wasn't really clear on the dissatisfaction, but life is too short to read it again. So many heap their frustrations on this one man, too often before they even have an inking of how the season will play out, their only purpose being to complain. They just want it to go how they pictured it and be comfortably predictable rather than enjoy the story being created for them. Moffat may be steering the ship, but it's a collaborative effort, and everyone's there to put on the best show they can. A well thought out and polite response by someone received a ranting reply from the reviewer that was basically the equivalent of putting her fingers in her ears. While the acting is essential, so is the writing. The actors aren't delivering spectacular performances in spite of the writing, but they are each enhanced by the other. So, yes, Moffat and his colleagues are doing a fine job.

THREE HEARTS, TWO SOULS, ONE TARDIS

And what a fine job they did, bringing everything together nicely. The nature of the Nethersphere was satsifyingly devastating. I dreaded that Danny would be turned into a Cyberman in "Death in Heaven." I didn't think they would go quite that dark, though they have before. Donna in the library and the deaths of Amy and Rory immediately spring to mind, so a companion's boyfriend would certainly not be off limits. The story was deeply affecting and Capaldi was superb. There was no better choice. He is one of my favorite human beings after that. As are Jenna Coleman and Samuel Anderson. "Death in Heaven" is one of those rare episodes of television that leave you with a heaviness that stays with you, like Buffy the Vampire Slayer's "The Body," or a finale of The Walking Dead, like the recent "Coda." It's beautiful because there is a lot of substance and it will be another standard by which I'll compare all dramas.

After all is said and done, Clara and Danny had a lovely if short story of missteps, sweetness, and a tragic yet heroic end. So now were back to two characters, both lonely and broken, unwilling to admit that they are. Clara having the hope Danny would return and the Doctor having the promise of home pulled out from under them. It was such a depressing ending that I agree with Saint Nick Frost that they can't leave it this way. The Doctor and Clara deserve happiness. Not that I'm complaining, because it makes for incredible television and exquisite acting. If a show can genuinely make the tears well then I fall more for it. That means it has something to say and I feel for the characters like real people. I can't wait to see what the Christmas episode brings...is what I wrote in November. I don't have to wait very long now since Christmas is tomorrow. Tune in to BBC America at 9 PM EST.

 


FAVORITE MOMENTS FROM "DARK WATER" AND "DEATH IN HEAVEN"

"I need my friend back." Or any moment with Missy. She's batshit crazy and needy. She may even be more fun than Simm's delightfully unhinged Master.

"My heart is maintained by the Doctor." What a wonderfully strange and intimate moment. I'm jealous of Gomez. ;)

Clara was fast on her feet when the Cybermen were questioning her and she was insisting she was the Doctor. She's became a great little liar.

When Danny begged Clara to take away his emotions. When the Doctor begged Clara not to. When the Doctor reminded Danny that we need pain and put his hand over Danny's heart, both symbolic emotional center and cyber suit chest module that would obliterate emotions. A perfect touch for that scene.

"Never trust a hug. It's just a way to hide your face." When Clara and the Doctor finally hugged mutually (and awkwardly), both teary-eyed. I was hoping for this from the first episode.

"I am not a good man! And I'm not a bad man. I am not a hero. I'm definitely not a president. And no, I'm not an officer. You know what I am? I... am... an idiot. With a box and a screwdriver, passing through, helping out, learning. I don't need an army, I never have. Because I've got them. Always them. Because love, it's not an emotion. Love is a promise. And he will never hurt her." Always with the speeches in this show that bring tears to my eyes.

When the Doctor acknowledged and saluted the Brigadier cyberman. He never gave that respect to his friend in life just because he was a soldier, as the Doctor abhors violence and has a terrible time distinguishing between war and those who fight to protect and defend. After learning that's what the Brigadier always hoped for, witnessing Danny keep his humanity and sacrificing himself, and realizing that as a cyberman the Brigadier saved his daughter, saluting was the most fitting, uplfting thing the Doctor could do. It was nice to see that prejudice fall away for a change. His aversion to soldiers is a form of self-hatred for everything he's had to do, every time he's had to get blood on his hands, and Danny always reminded him of that. It's a great thing about the Doctor because flaws are relateable.

So sad that Missy was lying about Gallifrey. And so sad that the Doctor jumped to conclusions that Danny was alive, ignoring Clara's obvious sorrow. This made it easier to lie about finding his home so he could let Clara live a normal life again. I also think it might be a bit out of embarrassment, him being that vulnerable in front of her, tricked by Missy into believing that she might have been telling the truth. The Doctor hopefully entering the coordinates and then peering out into a vast ocean of empty space and then pounding his fists into the console was a stunning moment. That looked painful. I hope Capaldi didn't hurt himself. I hurt my hands just by typing and trying to unscrew caps that are too tight.

Then for both Clara and the Doctor to lie to each other that they were okay, that was even worse, because they were both completely alone at their weakest.

 


When I couldn't remember quite how a line went (nearly every time), I checked ThreeIfBySpace.net, which has a wonderful series listing Doctor Who quotes.

The beautiful images up there at the top and somewhere in the middle are courtesy of Screencapped.net and belong to the BBC. I would have taken them myself, but I didn't download the episodes since I asked for this season for Christmas on Blu-ray, and taking pictures of the TV screen just looks terrible.

Doctor Who
Yes, Doctor, You Are A Good Man
Series 8 Thoughts

All the graves of planet Earth are about to give birth.

I think I need the Doctor to explain time to me; specifically, where it goes and why I don't have any. It has been so long since I wrote about this decades- and generation-spanning series with no shortage of imagination or superb performances. Mostly it was because of said time just hiding from me, but some of it was due to Who's dense history and complicated everything. One thing leads to another and I'll get twisted around, end up in a loop, stumbling around paradoxes, probably fall into a pocket universe, and lose my mind trying to get back. It's a daunting task, but I planned on writing at least something during the interminable hiatus. Somehow that entire period came and went and I only found myself finally jotting down some thoughts about this new Doctor of ours after the premiere of "Deep Breath," which I then never shared.

Spoilers Ahead...

Deep Breath

I had written before that Capaldi was instantly intriguing. After experiencing the heart he put into this role in the first episode, I was convinced he was a perfect choice. Literally, I saw Capaldi's pulse when the Doctor was in bed (hello, rewind button). Always endearing. Then when he had a chance to show what's in his chest with performance, he made me sad for a dinosaur plucked out of her time, who was frightened and alone. This Doctor has profound compassion and vulnerability often hiding behind a stern face, scattered mind, and callous demeanor. And he's just really funny, though I never doubted that Capaldi could deliver witty banter. Capaldi also does wonderfully in conveying the Doctor's curiosity and enthusiasm for the undiscovered and unexplained. Speaking of which, there's this a whole thing with a sentient droid. The Doctor tells him, "Those people down there, they're never small to me." This is one of those lines that serves to fully invest you in Capaldi if you weren't already. Shortly after, we are introduced to Promised Land/Heaven/The Nethersphere, a recurring mystery throughout the season. And the episode ended with a lovely, bittersweet little treat in the old doctor encouraging acceptance of the new with a call to Clara to assure her that he's the same man, that "he is more scared than anything [she] could imagine," and that he needs her. And it was a promising start to a season so long awaited.

Into the Dalek

This is exactly what it sounds like. The Doctor, Clara, and a few soldiers are miniaturized with technology used for surgery a la Fantastic Voyage and Innerspace, which the Doctor hilariously remarks upon as a "fantastic idea for a movie, terrible idea for a proctologist." They do this to go inside a malfunctioning Dalek suddenly burdened with morality to find out what went wrong. The Doctor's fitful anxiety about himself, aggressive certainty that there's no such thing as a Dalek that isn't pure evil (though there was an exception before in Oswin "Souffle Girl" Oswald), and insensitivity to deaths around him while he's trying to save the ones who are still here is so well balanced by Capaldi. He was having such a great go of it that after just two episodes I was already dreading the day he decides he's overstayed his welcome and passes the mantle onto someone new.

I find it interesting that he has to ask Clara if he's a good man and that she is unsure. He's a complex character that has had to make many unbearable choices and live with what he's done. But no matter how cold he may seem at times, how unforgiving, he goes to great lengths to give second chances, to save everyone he can. Yes, he is a good man. There is no doubt. He has so much love of life and has seen so much tragedy that he cannot be a witness to suffering.

Robot of Sherwood

Then there were the episodes I didn't have a spare moment to write a comment about, since life became permanently busier before the premiere, but something stuck with me from each of them. Wait a sec... Did something stick with me from "Robot of Sherwood"? I remember it being an odd one. I did get quite a few laughs out of it, such as "I don't need a sword. Because I am the Doctor and this is my spoon." Better than that, though, was the Doctor asking Clara when she started believing in impossible heroes. He can be adorably clueless sometimes.

Listen

This was far superior to the previous episode: a beautifully done, emotionally charged story. The monster was chilling in that it wasn't a monster at all but the imagination of a scared child, the shadows in the dark that we all feel yet never catch a glimpse of. Clara discovers by travelling to the end of time, where the dark is empty now, that she is connected to Danny Pink, someone she barely knows, revealing that he will be special to her or prompting that connection. From young Danny to the last days of the universe, and finally to the beginnings of the Doctor. I got goosebumps when Clara reassured a young boy in a barn on Gallifrey that it's alright to be afraid and the fear doesn't have to make him cruel or cowardly.

Time Heist

I love a good bank robbery and this one was quite hilarious at times. No one had a clue what they were doing because their memories were sucked out to protect them from the mind-reading/brain-souping security slave at the most impregnable bank in the universe. And so we got a few hilarious gems like, "My personal plan is that a thing will probably happen quite soon." and that morale would plummet if they were blown up by the bomb they were to detonate, but only for a very brief moment. Balancing the comedy, there was drama, and Doctor Who is excellent at both. I was surprised that it turned out to be a rescue mission from the future. The timey-wimey stuff always chokes me up.

The Caretaker

This started with a great montage of Clara's whirlwind life with the Doctor and her attempts to keep it from Danny. Then there was a funny misunderstanding when the Doctor thought Clara was with a teacher that looked like his previous self, the adorable Matt Smith. But the best part of it was Danny finally getting fed up with the Doctor's constant intentional misremembering of Danny's teaching position and mocking of his former life as a soldier. He recognizes a leader and thinks he's of the kind that just gives orders and doesn't have to personally deal with consequences.

Kill the Moon

Not my favorite story, I'm sorry to say. I didn't question the space whale with a city on its back, but the moon as an egg didn't really work for me. Though, even the lesser episodes of Doctor Who are better, more thought-provoking, and more emotional than the best that many shows have to offer. I enjoyed most of it and it was appropriately creepy. I got chills when Clara was asking the entire world what she should do and the Doctor was staying out of the decision between billions and the last of its kind. After spending so much of his life saving people, he was sure putting a lot on us all of a sudden. I feel like being the last of his kind, he couldn't bear to be a part of it, though he made the excuse that it was a decision for humans to make since it's was our home and not his. A few episodes later he even wanted to stay on Earth during its last moments because it was his planet, too.

Mummy on the Orient Express

After being a bit disappointed with "Kill the Moon" (not every episode can be a winner), we got back on the right track with this episode, the resolution of which, as so often happens on this show, put a lump in my throat. First of all, a train in space. That's just cool. Second, a mummy. In space. That kills in 66 seconds after you see it. Then the Doctor being his now usual callous self while trying to figure out a way to save everyone. When he's firing on all cylinders, there seems to be no room for nice. And in the end of that episode, Clara asked the Doctor if he was just pretending to be heartless. He asked her if it would make it easier for her to think that and continued on to say that sometimes all you have are bad choices, but you still have to make them. He cares too deeply and has taken the weight of all of time and space on his shoulders.

Flatline

Tiny TARDIS with the Doctor trapped inside! I lost it when Clara put them in her purse, then when she pulled a sledgehammer out of there, and again when the Doctor tried saving himself from a train by "walking" the TARDIS off the tracks like Thing from The Adams Family. It was also peppered throughout with an unstoppable adversary that kills by pulling people into walls and floors. Of course, the Doctor hopes this horror is a misunderstanding and gives whom he dubs the Boneless another chance, because "you cannot be too quick to judge." I mean, he knows "a race made of sentient gas who throw fireballs as a friendly wave." His goodness is again in evidence, always trying his hardest to save everyone and foster peace.

In the Forest of the Night

And, unfortunately, this episode brought us back to too hard to swallow territory with trees that popped up overnight, and I'm usually up for any kind of suspension of disbelief. This uber rapid growth seemed silly even in the far-reaching realm of speculative, fantastical, completely bonkers sci-fi. But what matters to me most are the power of the words and the poignancy of the acting that have this ability to pull me back into the story. (Also, the great deal of quotable, humorous dialogue.) Clara, normally not one to give up, accepted the fate of the world, and the Doctor, normally not one to be completely defeated, ran out of ideas and was forced to leave alone to quietly watch all of humanity burn, losing the world he had fought for so many times. I knew Clara would choose to stay behind, that she wouldn't want to become the last of her species like the Doctor, a comment that hurt him and which he understood completely.

Dark Water

That's ten episodes down already and now suddenly we're on the verge of the last episode, "Death in Heaven," the second part of the two-part finale that started with "Dark Water."

If you are not caught up, just stop reading now.

Not kidding, because I have to address a few spoilery things from this penultimate episode. I saw some things differently than Christina at Televixen.com. (We agree on the awesomeness of The Strain, though.) I could not stop myself from writing. It's the whole reason I actually decided I had to finish this post before the finale.

I adored "Dark Water." It may be my favorite episode of the new season. Either that or "Listen." The Nethersphere, which had previously been introduced to the dead as Heaven, finally came into play. And creepy-crazy Missy was such a delight, pretending she was a droid, taking the Doctor's hand to feel her heart. The reveal of who she is was unexpected to me. I briefly thought when the season started that was a possibility but then dismissed it since it had been so long. I'm being vague now, but that's in case you haven't seen it and are still reading despite my spoiler warning. This one's too good. I hope the finale tonight isn't the end of Missy. That would be a shame.

I was also stunned by the depth of feeling, though not surprised, and the lengths both Clara and the Doctor were willing to go had me holding my breath. Clara was compelled by grief and I could never hate her for that. Regardless of how long they were together, Clara's love for Danny and reaction to his death felt real, both possibly more intense in a shorter span because of her knowledge of the future; and after all that's happened this season to make her doubt The Doctor and her desire to continue travelling with him, her monumental betrayal was understandable. I can only imagine how it would feel to be talking to someone one second and have them taken from you the next, but Jenna Coleman portrayed the shock and numbness of loss in a way that was terribly familiar.

As anyone can relate to, Clara just wanted to turn back the clock; unlike anyone else, she could. She knew the rules about messing with your own timeline, but she had seen the Doctor make possible so many impossible things. She was still unsure of him. He had changed from gregarious and warm to manic and far less personable and she doesn't realize how much she means to him. She didn't trust that the one person who could help her, someone who owed his life to her many times over, would help unless she had leverage. And for a moment there I did the same, overlooking the Doctor's love for those closest to him and innate need to make things right, and started to believe that his refusal was genuine.

Stealing the TARDIS keys and threatening to destroy them one by one was a scene that was breathtaking in its sheer desperation. It was compelling to see her breaking down and him becoming more defiant. It was wonderful to then be reminded of the Doctor's essential goodness. I fell in love with Capaldi and his Doctor for probably the twelfth time this season when he said, "Do you think I care for you so little that betraying me would make any difference?" Even knowing Clara was willing to throw away their friendship and potentially strand both of them in a volcano, his feelings for her are unconditional. It might be the most powerful moment I've seen, and that says quite a lot.

It doesn't matter to me that the Doctor never before attempted to go to the afterlife for anyone. It was less about who he was trying to save than about the person he wanted to do it for. It was not about his own pain this time. Someone he cares for deeply was begging for help, betraying him in a most unexpected and cruel way because she didn't trust that he would. He had to have felt responsible for making Clara think he would only help her under duress. Her willingness to go so far proved to him that he couldn't just sit back and watch a friend suffer. And having already gone to the end of time because of Clara's connection to Danny, the Doctor had one thing he could try.

And let's not forget what happened in "Listen." As Tom Gardiner at ThreeIfBySpace.net said, "Dan is a symbol for the kind of man the Doctor has become." It was because of Clara's words to both of them as children and Danny's toy soldier, who was so brave he didn't need a gun, that the Doctor became the man he is, someone who risks his life for even the least significant of people in spite of his fear, because he's never met aybody who wasn't important. More reasons why it was believable that he would be willing to go so far. He never went so far before because sometimes an impossible thing is just that. He is a good man, so if he had the choice to save a friend and didn't, it would be to save even more and a devastating choice to live with. Or maybe the writers just had never thought of going to the afterlife until more recently or only just figured a way to use the idea. Stories come when they come. They can't be forced. And does any of that really mean that a new incarnation should not be ever more sensitive, out-of-the-box, and willing to go to extremes to save people?

Overall, I really enjoyed this season and a few gorgeous episodes in particular that were breathtaking in scope, incredibly acted, and thoughtfully written.